The Agency's Posts

Dark Knight Rises: Michael Caine on Alfreds Final Scene: Dark Knight Rises: Michael Caine on Alfreds Final Scene Michael Caine as Alfred in “The....
Read More>

Do models need more rights?: Viewpoint: Do models need more rights? Sara Ziff (in blue) with fellow models Amy Lemons,....
Read More>

AUDITION WORKSHOP FOR KIDS: HOW TO BOOK THE JOB !!!: PALADINO CASTINGis offering audition technique classes which will enhance and improve your child's....
Read More>

Anne Hathaway on 'Les Mis' hair: 'I looked like my gay brother': Anne Hathaway spared vanity in taking the part ofFantine, thedying young mother abandoned by....
Read More>

'Liz & Dick' romance fizzles in graceless biopic: An epic love story, like a good horror movie, relies more on possibility than actuality.....
Read More>

Rolling Stones myth, fact swirl in 'Crossfire Hurricane': 'Crossfire Hurricane' on HBO has the Rolling Stones telling their own story in an energetic,....
Read More>

Review: 'Rise of the Guardians' gives the storybook an edge: It's Santa Claus, Jack Frost, the Easter Bunny and more as never seen before in a tale of....
Read More>

Ken Burns' 'The Dust Bowl' a timely, exceptional endeavor: Ken Burns is at his storytelling best in PBS' 'The Dust Bowl,' a moving, four-hour chronicle of....
Read More>

Box office: How 'Twilight' and 'Harry Potter' are radically different: In many respects, the "Harry Potter" and"Twilight"movies have a lot in....
Read More>

The Contenders: Jake Gyllenhaal looks at his 30s, contemplates his 60s: With 20 years of screen credits behind him,Jake Gyllenhaalis a 31-year-old actor with a ré
Read More>

Gather moss? Not the Rolling Stones at 50: Rock's original bad boys are marking their unlikely milestone with another greatest hits album, a....
Read More>

In 'Lincoln's' beginning was the word: Steven Spielberg, Daniel Day-Lewis and Tony Kushner talk about the story, the voice and the....
Read More>

The Hobbit: Peter Jackson’s unexpected journey to three films: Nearly a decade after the New Zealand filmmaker concluded his massively successful “Lord....
Read More>
'Iron MAn 3' Robert Downey Jr.
Posted on: 02/10/12
Share/Save/Bookmark
 

Robert Downey Jr.   over lunch at his office in Venice, felt ready to talk about a different heroic project: “Iron Man 3.”

“My sense of it is that we need to leave it all on the field — whatever that means in the end,” Downey said of the May 2013 film. “You can pick several different points of departure for that.”

Speaking of departures, director Jon Favreau won’t be back for the third installment of a franchise that propelled his career to new heights — even as it established upstart Marvel Studios as a serious Hollywood player and signaled the popcorn redemption of Downey after years of addiction and legal entanglements. ”Iron Man 2,” however, was an especiallygrueling shoot and by the end of it the relationship between the director and the star was pretty frosty. Downey and Favreau are pals again now and even appeared on stage together earlier this summer in Hollywood for a warm and funny reunion.

“Iron Man 2″ brought in $624 million in worldwide box office but the reviews weren’t as strong as they were on the first film and Downey says that, watching the sequel now, he sees a film in which a lot of things worked but plenty of other things didn’t. The next movie will be written and directed by Shane Black, who became a brand name in Hollywood in the 1980s for writing action films such as “Lethal Weapon,” “Lethal Weapon 2″ and “The Last Boy Scout.” Black made his directorial debut in 2005 with ”Kiss Kiss Bang Bang,” the deliriously over-the-top dark comedy that starred Downey as a petty criminal who is whisked off to the West Coast for a Tinseltown adventure that promises fame but delivers a body count.
 

It premiered at the Cannes Film Festival and was praised for its sharp wit and over-the-top moments that nodded both to film noir convention and Hollywood culture, but Downey said the meta-charms of “Kiss Kiss Bang Bang” won’t be revisited by the Marvel superhero film — unless of course they are.

“The thing about Shane is that it will be anything but one of those moments,” Downey said, ”unless we come up with something that is so cheeky and character-driven and perfect that it has to be in the movie.”

Black began his Hollywood life as a prodigy among blockbuster screenwriters — he famously wrote “Lethal Weapon” in six weeks at age 23 — but by the mid-’90s the scene lost much of its appeal after watching his scripts for “The Last Action Hero” and “The Long Kiss Goodnight” reach the screen with too many revisions and too little spirit. The budget on “Kiss Kiss Bang Bang” was a tiny $15 million, but to Downey that number reveals more about Black’s capabilities as a director than it does his limitations.

“He’s more than the sum of his parts and he’s also kind of been a sleeper for a long time,” Downey said. “We’re not talking much about [the script] right now because Shane is off writing  and we talked before that and when we are talking again the talking is going to be over pretty quick [because we're on the same page]. It’s kind of like we’re fighting on the same side and at the same time we’re circling each other, so it’s all great. It should be great.”

Favreau, meanwhile, is coming off the mixed-bag performance of “Cowboys & Aliens” and moving on to “Magic Kingdom” for Disney. The filmmaker  has said that he is eager to see someone else sit down to play in Tony Stark’s toy box, and on stage at the Hero Complex Film Festival he made it clear that he approves of the Black choice by winkingly saying he’s ready to reprise his on-screen role in the franchise as Stark’s pal, Happy Hogan, if a suitable salary can be negotiated.

Downey was still chuckling about that gag last week and pleased to hear the sentiment that runs beneath it. ”Bringing in Shane Black to write and direct ‘Iron Man 3′ to me is basically the only transition from Favreau to a ‘next thing’ that Favreau and the audience and Marvel and I could ever actually sign off on,” Downy said. With a grin he added:  “The fun thing is going to be getting Happy in the movie.”

– Geoff Boucher

COMMENTS
Be the first to post a comment!


Post A Comment:




  • It's 2020! Start booking roles in commercials, fashion, films, theater and more with The Agency Online!

  • NEW WORKSHOP with Barbara Barna & Sean De Simone!

    Hi Everyone and Happy Summer! Sean at Sean De Simone casting and Barbara Barna are teaming up for a super informative and fun Hosting for Home Shopping workshop. A great opportunity for established or experienced TV Hosts and Experts interested in learning how to get noticed and how to get in....
  • MASTERCLASS W. Robin Carus & David John Madore

    A Special Offer for the Agency Community, from one of our favorite NYC Casting Directors! EMAIL FacetheMusicWithUs@gmail.com Or Eventbrite To Sign Up! Class Size is Limited.
  • Don't Fall Into The Comparison Trap

    Hi Everyone! As the second installment in an ongoing series of features by the Agency's amazing community, here's some sage advice from our own Regina Rockensies; a humble (& awesome)veteran we've had the pleasure of working with for a long time. Have an excellent week! : ) - The Agency....
  • One Model's Agreement

    Hi Everyone! As the first piece in an ongoing series of original articles by the Agency community, here's a short reflection on some of the values of professional acting & modeling that we can all keep in mind for our next casting. Good luck on your castings &shoots this week! : ) -....




 
home       castings&news       privacy policy       terms and conditions      contact us      browser tips
Official PayPal Seal